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A Moment of Arrival: Indian Film and Television at the Emmys

Nov/28/2024 / by Suman Gollamudi
A Moment of Arrival: Indian Film and Television at the Emmys
Image credits: IAAC

It finally happened—again. Indian storytelling took another bold leap at the 2024 International Emmy Awards, marking not just recognition but a new chapter in its global journey. This wasn’t India’s first nomination on this stage, but it was perhaps a moment that felt less like an exception and more like an arrival.

Of course, we’ve been here before. In 2020, Delhi Crime made history as the first Indian series to win Best Drama, a gritty, powerful show that shattered expectations of what Indian television could achieve. In 2021, Vir Das’s For India was nominated for Best Comedy, blending biting humor with heartfelt cultural commentary. These moments proved that Indian creators could not only compete but thrive on a global platform. Fast forward to 2024, and Vir Das, now hosting the International Emmys, embodies how far Indian cinema and television have come—both in perception and in impact.

This year’s nomination for The Night Manager (which lost out to Les Gouttes de Dieu) feels different, though. Directed by Sandeep Modi and produced by Banijay Asia, the Indian adaptation of John le Carré’s classic spy thriller doesn’t just mark another achievement; it represents a confident stride into the global mainstream. It’s not just about being recognized anymore—it’s about leading the conversation.

A Moment of Arrival: Indian Film and Television at the Emmys
Image credits: Shutterstock

The Night Manager is a master class in reimagining. It took a quintessentially British story and infused it with Indian cultural nuances, creating a narrative that felt universal yet rooted. This win signals that Indian creators are no longer tethered to outdated stereotypes of bright colors and Bollywood melodrama. Instead, they are shaping stories that are bold, complex, and deeply human—stories that resonate with audiences from Mumbai to Manhattan.

This evolution didn’t happen overnight. The earlier successes of Delhi Crime and Vir Das laid the groundwork. They showed the world—and perhaps even Indian creators themselves—that Indian stories weren’t niche; they were essential. They could thrill, provoke, and entertain while standing shoulder-to-shoulder with the best in the world.

But 2024 feels like a tipping point. With an Emmy nomination for The Night Manager and Vir Das commanding the evening as its host, Indian creators are no longer just occasional visitors on the global stage. They’re regular players. And they’re rewriting the rules.

As we prepare to celebrate the 25th anniversary of the New York Indian Film Festival in 2025, the energy feels electric, and for good reason. This is no longer about proving ourselves. It’s about taking our seat at the table.